BENDPAK HD-9XL 9,000-lb. Capacity / Four-Post Lift / Standard Width / Extended Length
Bendpak HD-9XW 9,000 Lbs Standard Width Extra-Tall 4-Post Lift
BENDPAK HDS-14 14,000-lb. Capacity Standard Length Car Lift
BendPak HDS-14 Four-Post Lift
BendPak Pro-Series 10APX High-Rise Two Post Car Lift
BENDPAK XPR-10XLS 10,000 Capacity / Symmetric / Adjustable Width / Screw Pads / HIGH RISE
Dannmar D4-9 Package 9,000-Lbs. Capacity Four-Post Lift
Direct-Lift® Pro-Park 9 Plus Certified 4 Post Lift
Esco 22 Ton Hydraulic Service Jack 10390
Esco 33-Ton Air Hydraulic Jack 92008
Esco Equipment ESC10771 – Jackit 50 Ton 3 Stage Air-Hydraulic Jack – Yellow
FP8K DX XLT 8,000lb 4 Post Lift – Extra Long/Tall
Halo Lifts 4 Post Car Lift – 9,000 LBS Capacity
Halo Lifts Clear Floor 2 Post Car Lift
HW93690 Hein-Werner 10 Ton Air Operated End Lift
iDEAL TP10KAC-DX 10,000 Lb Two Post Clear Floor BI-symmetrical Lift – Ali Certified
Katool KT-4H150, 4 Post Alignment Lift 15,000 lb – Rolling Jack Included
KATOOL KT-H105 Two Post Vehicle Lift 10,000 lbs Capacity
KT-4H110 4 Post Vehicle Storage Lift 11,000lb 19 reviews
KT-4H850, 4 Post Vehicle Storage Lift 8,500lb
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en the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.