Husqvarna 372 XP Chainsaw 28″
Husqvarna 390 XP 24″ 58GA Gas Chainsaw
Husqvarna 395XP Gas Chainsaw
Husqvarna 455 Rancher Chainsaw 20″ Package – Includes 1 Extra Bar 2 Extra Chains
Husqvarna 460 Rancher Gas Powered Chainsaw, 60.3-cc 3.6-HP, 2-Cycle X-Torq Engine, 24 Inch Chainsaw with Automatic Adjustable Oil Pump, For Wood Cutting, Tree Trimming and Land Clearing
Husqvarna 550 XP Mark II Chainsaw
Husqvarna 550XPG Mark II (Heated Handle)
Husqvarna 555 Chainsaw
Husqvarna 555FX Forestry Saw
Husqvarna 562 XP® MARK II Chainsaw
Husqvarna 572 XP 28 Inch Gas Chainsaw .058in Gauge
Husqvarna 572XP Chainsaw
Husqvarna 592XP (93cc) Chainsaws
Husqvarna 592XP Chainsaw
Husqvarna 93 cc Gas Powered Rear-Handle Chainsaw with 36 Inch Bar
Husqvarna 967690628 545 Mark II 3.6 HP 2-Cycle X-Torq Engine 50.1cc 20 in. Gas Chainsaw with Adjustable Chain Oil Pump for Professional Tree Felling and Limbing
HUSQVARNA Gas-Powered Chainsaw: 20 in Bar Lg, Rear Handle, Auto Chain Oiler, 3.5 hp Horsepower
Husqvarna® T540 XP Mark III Top Handle Chainsaws
Laguna Fusion F2 Table Saw
Makita 5402NA Circular Saw 16-5/16
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en the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.